Explore this!12 of Colored pencil Society oh America Award
My drawing LIFE#3 has won the Derwent Fine Art Pencils
Award for Distinction in the Explore this!12 online competition of Colored Pencil Society of america
My drawing LIFE#3 has won the Derwent Fine Art Pencils
Award for Distinction in the Explore this!12 online competition of Colored Pencil Society of america
My collection of ModifyWatches at http://modifywatches.com/collections/cristina-iotti
get yours using 25% off code TIMEFLY , good through 2/14
purchase your personalized watch using the code TIMEFLY 25% discount until 2/14
CRISTINA IOTTI
#circle _of_life
Inauguration
Saturday 14 November | 5.30pm
until January 6th
opening hours: morning 9.00 – 12.30 from Monday to Saturday,
afternoon 4.00pm – 7.00pm on days
Monday Tuesday Wednesday Friday
The circle, a recurring element in Cristina's drawings, becomes, in this exhibition, the fulcrum and central theme from which the chosen title takes inspiration: "The circle of life". Cristina, with her meticulous drawings, continues her silent and intimate poetics by showcasing a visual metaphor of life, where the works become contemporary "vanitas" that take on symbolic values, representing the transience of life itself. From the drawings of the clothes, subjects already treated in the works of recent years, which become silent witnesses of memories and emotions experienced, to the floral backgrounds, which tell of the passing of the seasons; everything becomes a metaphor of time and also in the work "a-mors", where the theme of death is also treated in a poetic and delicate way; to then reach, through a sort of purification, an elevation, a harmony sought and found with the work "Salvificus amor". It is above all in the installation "circle_of_life", which gives the exhibition its title, where even the new floral-themed subjects take on the symbolic value of life itself, with their blossoming and then fading. The circle, symbol of perfection and harmony, recurs both within the square formats and in the round tables, where embroidery, figures that often represent itself, and flowers compose an allegory of life, an intimate and delicate mosaic of moods and life memories.
TIZIANA SEVERI contemporary art
via C Battisti 21 Rubiera RE
tel 0522629392 cell 339 495 3893
info@tizianaseveri.it
www.tizianaseveri.it
my drawing “Dentro e fuori il mondo #2″ has won the ” Legion Paper Award for Excellence in Drawing ” in the second Online Member Juried Exhibition: IPAS 2015
Collective exhibition
Contemporary look
Castle in Art – Villimpenta (MN)
30 May – 5 July 2015
Inauguration Saturday 30 May at 6.00 pm.
Edited by Nicla Ferrari and with an introduction by Anna Fornaciari.
Followed by a harp concert with Chiara Visentini.
Artists on display: Massimo Canuti, Daniele Cestari, Nicla Ferrari, Andrea Giovannini, Cristina Iotti, Marino Iotti, Iva Recchia, Giovanni Sala, Michele Sassi, Roberta Serenari.
From Saturday 30 May to Sunday 5 July 2015, the collective exhibition Sguardo Contemporaneo will take place at the Scaligero-Gonzaghesco Castle of Villimpenta (MN), promoted by the Municipality of Villimpenta – Department of Culture, sponsored by the Province of Mantua and in connection with the Mantua Museum System, the Grande Mantova Library System, the Po Matilde System, the Regge dei Gonzaga.
In the spaces of the Villimpenta Castle, the Guardian's House and the imposing Keep, around thirty works by ten artists selected nationally will be hosted. The intent is to offer an overview of contemporary art through different expressive means: painting, which today is back in vogue after decades of oblivion, drawing, sculpture, installation and photography which, not without lively debates, rightfully enters, and even in some cases excels, in art exhibitions. The different languages through which the artists "look" and represent their personal reality are not clashing with each other, on the contrary, interesting references are created throughout the exhibition, set in motion by analogies, technical contrasts or by the same themes addressed.
The "contemporary gaze", the way of seeing and representing things nourished today by the abundance of information, stimuli and technical means within everyone's reach, does not however preclude looking at tradition, drawing valuable lessons from it or bringing "remnants" and contaminations of it into the work.
The exhibition will be open to visitors from 30 May to 5 July 2015 at the following times:
Saturday 5.30pm-7.30pm / Sunday 10.30am-1pm
On the occasion of the Risotto Festival, extraordinary openings with guided tours of the castle and the exhibition:
5 – 6 – 7 June 8.30pm-midnight
12 – 13 – 14 June 8.30pm-midnight
19 – 20 – 21 June 8.30pm-midnight
Elevator for disabled people.
Free admission.
Tel. 0376 667508 – Address: Via Tione, Villimpenta (MN)
To the Iseo Arsenal Foundation (BS)
a collective of artists from all over Italy interprets
death in a contemporary key.
April 20, 2015 – From 25 April to 24 May in the rooms of the Fondazione l'Arsenale twenty-seven contemporary artists will exhibit their works, giving a poetic, cultural and aesthetic interpretation of the theme Vanitas – Death.
The inspiration for the exhibition was the unusual presence of a fresco depicting a macabre dance from the end of the 15th century on the internal wall of the apse of the Romanesque church of San Silvestro in Iseo, promoted as an asset to be preserved within the "Places of the Heart" census of the FAI - Italian Environment Fund.
“The allegory of Death-Vanitas reaches its greatest development, within the Still Life genre, in the 17th century and maintains similar formal characteristics in the following period” – explains Lidia Muffolini, author of the critical text on the exhibition – “In the contemporary era, the iconographic theme maintains the structures of the past but is loaded with different meanings, as Death, from an antagonist bringing destruction and detachment from material values, becomes a moment of fundamental reflection on life and its decay“.
The exhibition “Beyond Life” is curated by Angelo Zanella, the critical text is signed by Lidia Muffolini.
THE ARTISTS PARTICIPATING IN THE EXHIBITION
Guido Airoldi, Paola Bonomelli, Walmer Bordon, Francesca De Pieri, Andrea Dejana, Stefano Frascarelli, Michel Gambino, Fabio Gismondi, Sergej Glinkow, Marcello Gobbi, Cristina Iotti, Anna Madia, Lorenzo Manenti, Angelo Raffaele Marturano, Armando Moriconi, Paola Nizzoli Desiderato, Francesco Parimbelli, Fabio Presti, Carlo Previtali, Elisa Rossi, Giorgio Tentolini, Vincenzo Todaro, Lello Torchia, Filippo Venezia, Angelo Zanella, Michele Zanni, Bruno Zoppetti.
my work “Biancan-EVA” has won an honorable mention in the Non Signature Category at Colored Pencil Society of America’s ArtSpectations Online Show (spring 2015)
Judge, Betsy Holster had this to say about:”Everything about this piece is filled with a sense of mystery. The excellent technical skills do not overpower but augment the many questions that the image conjures up”.
13×18
From 2.11.2014 to 8.12.2014
Schiele's House, Benevento
The exhibition 13×18, curated by Mario Francesco Simeone, will be inaugurated on Sunday 2 November 2014, at 6.00 pm, at La Casa di Schiele – cultural association of Sara Cancellieri and Igor Verrilli, in via San Gaetano 16, in Benevento.
Participating in the collective will be Antonio Barbagallo, Angelo Barile, Paul Beel, Silvia Beltrami, Valentina Biasetti, Gabriela Bodin, Barbara Bonfilio, Simona Bramati, Sara Cancellieri, Gianluca Capozzi, Antonella Casazza, Vito Centonze, Adele Ceraudo, Pierluca Cetera, Gabriella Crisci, Vincenzo Last22 D'argenio, Salvatore Daddi, Fabrizio De Cunto, Mario Edoardo Dominguez, Roberta Feoli, Clare Galloway, Cristina Iotti, Arianna Lion, Savina Lombardo, Mario Loprete, Anna Madia, Pietro Marchese, Jara Marzulli, Klaus Mehrkens, Sagan Newman, Ferruccio Orioli, Alessandro Papari, Samuele Papiro, Francesca Romana Pinzari, Jerome Pouwels, Dora Romano, Giuliano Sale, Lele Sgambati, Milena Sgambato, Tina Sgrò, Vania Elettra Tam, Elisabetta Trevisan, Giuseppe Vaccaro, Valentina Zummo.
The exhibition itinerary will be punctuated by works created by Italian and foreign artists, all measuring 13x18 cm, the size of traditional photographic prints and postcards for correspondence. The thematic fulcrum of the exhibition, in fact, is the communicative possibilities and ways of representation peculiar to the small format. Thus, the image and the support, as an overlap of physical and ideal space, express an aesthetic of the minimal sign which, on the one hand, limits the excess of information, on the other, expands the cognitive process, establishing an open dialogic relationship between the work and the user.
The fruition itinerary will be dynamic and immersive, ranging between heterogeneous techniques, from graphics to painting, and different styles, from abstraction to realism. Different languages for contexts, generations and inspirations will dialogue in the gallery space. The visual narrative, spread rhythmically on the architectural surface, will become a code to be interpreted, according to the infinite and unpredictable encyclopedias of those who create and those who observe.
From the critical text:
"The space of the support imposes a visual and conceptual cut on the image. The majestic cycles that decorate the cathedrals tell an imposing story but with well-defined contours, within which the act of interpretation is canceled, in favor of a static vision, dictated by an all-encompassing authority. On the contrary, the representation extended over an extremely concentrated surface has the forms of a constant process, because it creates a perpetual perceptive motion between opening and closing. In fact, the information conveyed by the surface minimal, they naturally and discreetly arouse the curiosity of the user who is called to act in the depth of the image, beyond what can be seen, to complete its meaning."
The exhibition will be open to visitors until 8 December 2014.
Thanks to:
Art Line Production Frames, by Umberto Meola
Incas Caffè, by Simona and Vincenzo Donatiello
For more info
lacasadischiele.blogspot.i
Schiele's house
FEMALE, PLURAL
Review in three acts curated by Alessandra Redaelli
Second Act | THE VIEW ON THE WORLD
Third Act | THE SPACES OF THE DREAM
Biffi Arte presents the newest and most original voices of Italian female art in three exhibitions.
Pirola Palace
Piazza della Repubblica 1 – Gorgonzola – MI
October 18 | 09 November
inauguration Saturday 18 October at 6pm
with the performance I've never been a little girl,
Twenty-five female artists for Palazzo Pirola
At Palazzo Pirola we are at the second stage of the Femminile, Plural exhibition. A super event that brings together twenty-five of the most interesting names on the female artistic scene in Italy.
A double stop because here, a stone's throw from Milan, from 18 October to 9 November the protagonists of two exhibitions created under the banner of Biffi Arte will meet. The first, The Look at the World, from 27 June to 3 August brought together the gazes of 14 women in the Piacenza gallery. From the poetic photographs of Alessandra Baldoni to the infinite spaces painted by Linda Carrara, from the labyrinths of trees by Marika Vicari to the teeming construction sites of Marina Previtali, from the carnal flowers of Chiara Albertoni to the imposing ones of Brigitta Rossetti, from the silent rooms of Tina Sgrò to the chaotic crowd of Liliana Cecchin. And then Elisa Rossi's girls, Cristina Iotti's soft patterns, Claudia Scarsella's kaleidoscopes, Loredana Galante's fairy chaos, Marica Fasoli's more real-than-life children, up to the music, photographed in vibrations by Marina Giannobi.
The second exhibition, The spaces of the dream, will open its doors on November 22nd in Piacenza and will end on February 8th next year, and will bring together eleven other unique and unmistakable voices. To tell the dream, the fantasy. Sometimes a nightmare. So here, at Palazzo Pirola, a preview of their works.
Alice Colombo's dreams materialize in vague collages, full of small details to be followed with the gaze as in a treasure hunt. They are little girls leading multicolored birds on a leash or they are whales stranded among the branches of a tree, protagonists of stories told in a light, whispered tone. Federica Gonnelli instead recreates the dream through installations that welcome the viewer like an enveloping embrace, all played on soft lights and transparencies, in a continuous doubling and modification of reality. If Jara Marzulli with a very light, liquid painting evokes timeless female figures, frozen in a suspended moment of abandonment and meditation, the women that Adele Ceraudo interprets in her meticulous pen drawings, where she herself transforms into the protagonists of the most classic iconographies of sacred art, give an idea of warrior strength. An "other" reality, vibrant, very mobile, made of a transparent material with aquatic suggestions is the one created by the hands of Annalù. With her the fiberglass becomes teeming foam, wave, butterfly wing, living, breathing and fairy entity. If Ieva Petersone takes us with her paintings to a cold and perfect world, divided into rooms with metaphysical atmospheres, where design icons become protagonists of spaces with hypnotic geometric balances, the space into which Chiara Coccorese invites us is of a completely different kind. Her photographs, constructed as collages full of objects created or recovered by her, plunge us beyond Alice's mirror, into a world where proportions are canceled out, reference points are reversed, inviting us to float in a sensation of restless bliss. And then there is Florencia Martinez, with her photographs printed on brightly colored fabrics, with her embroideries that are stories of life and with her installations where household objects, covered in fabric and soft quills, become welcoming and threatening at the same time. Ilaria Del Monte, with her girls prisoners of enchanted rooms, where mirrors reflect unreal images and objects come to life. Francesca De Pieri, who with her photographs of quarries and botanical gardens, printed on double transparent plates, offers us a new, vibrant and pulsating look at nature. And Giovanna Lacedra, with a series of dreamlike watercolors inspired by female poetry (from Sylvia Plath to Anne Sexton) and with the performance Nonsonomaistataunabambina – scheduled for the inauguration – where she stages the nightmare of badly loved childhood and the awakening to life.
INFORMATION SHEET
Collective exhibition of contemporary art
Title: The gaze on the world and The spaces of the dream
By: Alessandra Redaelli
Artists: Alessandra Baldoni, Brigitta Rossetti, Chiara Albertoni, Claudia Scarsella, Cristina Iotti, Elisa Rossi, Linda Carrara, Liliana Cecchin, Loredana Galante, Marica Fasoli, Marika Vicari, Marina Giannobi, Marina Previtali, Tina Sgrò – Adele Ceraudo, Alice Colombo, Annalù, Chiara Coccorese, Federica Gonnelli, Florencia Martinez, Francesca De Pieri, Giovanna Lacedra, Jara Marzulli, Ieva Petersone, Ilaria Del Monte
Performance: Giovanna Lacedra – Massimo Festi
Installation by: Alessandra Redaelli and Vania Elettra Tam
PUBLIC INFO
Pirola Palace
P.zza della Repubblica 1 (corner with Vicolo Filippo Corridoni)
20064 Gorgonzola – MI
www.palazzopirola.it
INAUGURATION:
Saturday 18 October at 6pm
TIMES:
Friday 4.00pm/7.00pm – Saturday and Sunday 10.00am/12.00pm – 4.00pm/7.00pm
FREE ENTRY
CATALOG:
“Feminine, plural: The gaze on the world” will be on display
“Feminine, plural: The spaces of dreams” will be on display from November 22nd at the Biffi Arte Gallery in Piacenza
EXHIBITION ORGANIZED BY:
Biffi Arte Gallery – P.zza Sant’Antonino – Via Chiapponi 39 – 29121 Piacenza
Info: tel 0523.1720408 – www.biffiarte.it
MEDIA PARTNER:
Frattura Scomposta contemporary art magazine – www.fratturascomposta.it
PRESS OFFICE:
Angela Ianni – Biffi Arte Gallery – tel 0523.1720408 – gallery@biffarte.it –www.biffiarte.it
I will be present at the first Salerno Art Biennial as guest artist
from 11 to 25 October – Palazzo Fruscione