cristinaiotti
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IT'S FIGURE, The body tells
ColornoPhotoLife | Widespread exhibitions
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Symposium Art & Design | art festival | 1st edition
ECHOES | indoor event | billboard | circuit off european photography
Art in the wind | Ruvo di Puglia
of Light and Shadow | collective
The collective exhibition is built around this polarity, entrusting painting, photography, sculpture and textile art with the task of questioning light not as a simple physical phenomenon, but as a symbolic, narrative and emotional device.
Associating light with the explicit, with what is offered to the gaze and understanding, finds its counterpoint in the shadow, a place of the unsaid, of the hidden, of allusion.
The works do not bridge the distance between these poles, but inhabit it, making it fertile.
Finissage exhibition : These ghosts
Sunday 29 March
Finishing of the exhibition “These ghosts”
edited by Ivan Quaroni
in the presence of the artists
opening at 5pm
The universe puts you where you can grow
take care of your uniqueness, you are the fulfilled dream of all your ancestors
Bert Hellinger
Let's talk about Tarot and family constellations with Paola Geranio
Readings / Homage to Stefania Delendati, journalist and author of
Interned in mental hospital because 'non-compliant'
Lovely head / performance by NERA KLEAN / 6.30 pm
Via Montevecchio 19-21 | Modena
info 338 6628358
laranarossagallery@gmail.com
These ghosts | double staff
edited by Ivan Quaroni
until March 29, 2026
Friday – Sunday, 5.00pm – 7.30pm and by appointment
Laranarossa Gallery
via Montevecchio 19–21, Modena
Info: 338 6628358
laranarossagallery@gmail.com—
Certain images preserve residues that pass through time, traces that resurface as latent presences of past experiences.
The exhibition brings the works of Paola Geranio and Cristina Iotti into dialogue, in both paths the past re-emerges as an active element, capable of reorganizing itself in new forms through different but convergent practices.
The title of the exhibition recalls the idea that the past never completely disappears, but continues to resurface in the form of traces, memories, silent presences. A concept close to hauntology, theorized by the philosopher Jacques Derrida and taken up by the writer Mark Fisher to describe the constant return of what seemed lost.
Paola Geranio works with painting starting from family photographs, especially scenes of children's games. He transforms them into intense and colorful images, where the bodies seem connected by an invisible energy. The colors, also inspired by the symbolism of the Tarot and the chakras, do not describe reality but an emotional state. In his paintings the past becomes a constellation of relationships, a tangle of bonds, memories and family dynamics that continues to act in the present.
Cristina Iotti, with her period Non-Compliant, instead addresses a little-known page of Italian history: the women interned in mental institutions during fascism because they were judged "irreverent", "unstable" or "impertinent". Starting from medical records, the artist reconstructs their faces with the help of Artificial Intelligence. The images are then printed in cyanotype, treated manually and placed in small drawers together with period objects. Each work thus becomes a treasure chest of memory, a way to restore identity to those who had been reduced to a label.
In different ways, both artists bring to light what has been forgotten.
Contact 2025
The contemporary art exhibition called "Contact" will be inaugurated on Saturday 6 December, at 11:00, organized at Raffaele Perrella's well-known Fiera del Mobile di Riardo (CE), more precisely in the luxurious spaces of the Thierry House Gallery, commissioned by his son Ciro.
The event, curated by Paolo Feroce, offers works of art that range from the figurative to the conceptual, also looking carefully at the Pop lines.
The artists who exhibit there, coming from all over Italy, are, for the collection created by Feroce in the Royal Palace of Caserta in 2004, the well-known Tommaso Cascella of Rome, Claudio Magrassi of Tortona, Diego Palasgo of Noale, the late Giampaolo Talani of San Vincenzo (who, among the many public works, also frescoed the station of Florence), Michela Ezechiela Riba of Turin, Aniello Scotto of Naples, Matteo Arfanotti of Sarzana (among the most famous international body painters) and the late Alessandro Parisi of Alife.
For artists external to the collection, well-established names in the national market, Giuseppe Leone from Buonassociazione, Ludovico Maria Fusco from Naples, Emiliano Terenzi from Cassino, Cristina Iotti from Sassuolo, Dora Romano from Naples, Giuseppina Irene Groccia from Cosenza, Guido Bottazzo from Venice and Maria Rosanna Cafolla from Rome were invited to exhibit.
The exhibition was conceived as the first of a series of artistic-cultural events which will also be curated in collaboration with other critics and professionals and to be beautifully contextualized with the architecture of the fair, with the furnishings of the Thierry House and with the splendid chapel designed by Pininfarina inserted inside the park
